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Veteran singer/songwriter Edwin McCain had his major-label breakout in the mid-’90s with Honor Among Thieves. McCain became a Top 40 “Radio Star” with chart-topping singles and soundtrack success with the songs “I’ll Be” and “I Could Not Ask For More”. More recently, Edwin has been touring with Hootie & the Blowfish, Collective Soul, and Train; and had a “breathtaking” experience performing hit songs disguised as Nessy, The Loch Ness Monster during a run to the Final Five during season #13 of the hit US TV show The Masked Singer.

His first full studio album in 15 years was released in 2025. Edwin co-produced Lucky with Lee Brice and Jerrod Niemann. The album’s ten tracks span blues, soul, rock, and folk influences. From the rollicking opening track “Chasing a Memory” to the aching ballad “Love Me or Leave Me Alone” to the Southern rock tribute “Sing for You,” Lucky reflects McCain’s musical roots while embracing modern inspirations, including an electronic edge on “Empire.”

Dubbed a “great American romantic” by The New York Times, McCain continues to connect with fans through his music as well as viral TikTok videos where his witty, self-deprecating humor—often at the expense of his exasperated daughter—has won over a new generation of fans. A podcast based on his TikTok life and more touring are in the near future for McCain, but the fame part of the life does not phase him. “I found myself in this sweet spot doing this for 35 years,” Edwin muses. “And if I end up playing for tourists on a deck in Hilton Head one day? That would be OK, too.”

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Tomorrow’s Problem is an energetic and upbeat band from Columbia, South  Carolina. Formed at the University of South Carolina, the band later moved to  Charleston, SC to craft their debut EP. Drawing inspiration from legends like Jimi  Hendrix and Red Hot Chili Peppers, along with modern influences like Spacey  Jane and Mt. Joy, Tomorrow’s Problem has built a reputation for their captivating  live shows. Their sets are a high energy blend of dynamic moments, and a  crowd that feels like part of the show. 

After wrapping up their first tour across 22 cities in the fall of 2025, the band is  diving into new recordings and leaning into a fresh creative direction, while  already looking forward to getting back on the road and hitting even more new  places in 2026.

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Charles Esten is an accomplished American actor, comedian, and singer-songwriter known for his versatile performances on both screen and stage.

He is widely recognized for his roles as “Deacon Claybourne” in ABC/CMT’s NASHVILLE, and “Ward Cameron” on Netflix’s Outer Banks.  Esten first gained national  attention as a popular recurring performer on the improvisational comedy series “Whose Line Is It Anyway?” where his quick wit and musical improvisations made him a standout favorite.

 

Since the success of NASHVILLE  Esten has built a respected reputation as a singer-songwriter. In early 2024, he delivered what Billboard called his signature “loose, rough-cut country,” independent debut album, Love Ain’t Pretty, to much acclaim. Surpassing 35 million streams to date, he’s a 2018 Guinness World Records title holder for the “Most consecutive weeks to release an original digital single by a music act” after releasing 54 original songs once a week for 54 straight weeks. He’s made over 190 appearances at Nashville’s iconic Grand Ole Opry and performed multiple headline tours in the U.S. and Europe.

 

Esten serves as the National Honorary Spokesperson for the Leukemia & Lymphoma Society’s annual Light The Night Walk, and is a board member and volunteer for Musicians On Call.

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Creativity is like a fire in a fireplace: You have to tend it or it will go out. For nearly two decades, Matisyahu has kept his creative spirit aflame by evolving his sound, melding genres, and testing the limits of the musical traditions that have inspired him. His latest release, Hold The Fire, and its leadoff single “Fireproof” takes inspiration from a fire dream inspired by Matisyahu’s Old Testament religion, which has meant so much to his spiritual and creative life since his recording career began in 2004 and his breakout track “King Without a Crown” blasted into the Billboard charts in 2005. In a roundabout way, those same Old Testament roots springboarded Matisyahu’s music career.

Growing up outside New York City, the young Matthew Miller followed jam bands like Phish and the Grateful Dead. Then, in Bob Marley and reggae, he found that the messaging of Rastafarianism was sourced in part from that same Old Testament. The sound that emerged on his first albums—including his first two studio releases as well as 2005’s Gold-certified Live at Stubb’s—embraced both the spirit of reggae and his spirituality and roots in Judaism. Buoyed by hits like “King Without a Crown,” albums like the Grammy-nominated and Billboard No.1-ranked Youth in 2006, and the Gold-certified 2009 antiwar hit “One Day” (streamed over 150 million times on Spotify alone), he toured extensively through the second half of the aughts with a high-energy stage show that has since grown to include more improvisation. All the while his music expanded into a shapeshifting collision of reggae, hip-hop, alt rock and boldly inventive pop. Today, he continues to be inspired by evolving musical trends, finding linkages and loops between eras and genres. Matisyahu’s spirituality has evolved in parallel with his music, though his Jewish heritage remains a central theme throughout his life and music. The new EP, Hold The Fire (out February 2024), also finds him reflecting on celebrity and artistic success. For Matisyahu, “the unbelievable and miraculous feeling of being connected to our people” is what keeps the creative fire alight.

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When Wilderado began writing songs for their second album, Talker, the idea of chasing after  their debut record’s success — including pair of Top 10 hits on alternative radio — couldn’t  have been further from their minds. 

“We were coming off 265 days on the road, and we all felt a little broken,” says frontman  Maxim Rainer. “We had to ask ourselves if we still wanted to do this, and we decided that the  only way to rejuvenate the band was by making new music that we love. That was our only  rule.” 

The result is Talker, a dynamic record that finds Wilderado reframing their purpose and  broadening their perspective. Recorded with producers Chad Copeland (Sufjan Stevens,  SYML) and James McAllister (Gracie Abrams, The National) in Norman, Oklahoma, it’s the  sound of three musicians shrugging off the allure of success and, instead, embracing the thrill  of the unknown.  

“This record was a process of rediscovering the things that made us excited about our band at  the very beginning, back when we were writing songs for nobody but ourselves,” says Rainer, a  Tulsa native who co-formed Wilderado in 2015. “When you’re a brand new band, you have no  expectation of anyone else hearing you. We wanted to go back to the beginning and revisit that  excitement.” 

Like all of Wilderado’s releases, Talker blurs the boundaries between genres, creating a multi sided sound — soft-hued and subdued one moment; anthemic and buoyant the next — that  defies categorization. “We’ve always had an eclectic catalog and an ‘anything goes’ mentality,  where the only thing that matters is the song itself,” Rainer says. Appropriately, the songs are  the real stars of Talker. With “Sometimes,” Rainer pulls back the curtain to expose the  skeletons in his own closet, including the coping mechanisms that most keep under wraps.  “Sometimes I hide it when I’m high,” he sings in a Midwestern drawl, contrasting the  vulnerability of his lyrics with bright acoustic guitars and sunny, singalong hooks. He gets  personal during “Tomorrow,” too, turning a hypnotic guitar pattern from bandmate Tyler  Wimpee into the launchpad for a song that tackles big topics like religion and being trapped in  a search for God. “Tyler used to play that riff every night during soundcheck,” he explains. “It  helped me write something I’ve always wanted to write, which is about my relationship with the  Church, my experience growing up in a Christian family, and where it’s left me now. It felt very  freeing to say those things. A lot of our first LP was about being on the road, and I didn’t want  to regurgitate that same idea on our new album. Instead, I decided to get confessional and  vulnerable.” 

He got collaborative, too. In addition to writing songs with his two bandmates — guitarist  Wimpee and drummer Justin Kila — Rainer also teamed up with the British band Flyte, whom  Wilderado had met in London while on tour in 2022. Together, they created songs like  “Longstanding Misunderstanding,” writing the track during a 25-minute burst of creation in the  recording studio. “A big part of my growing process with this album was learning to ask for  help, which isn’t easy for me to do,” he admits. “But it turned out so beautiful, every time I  did.” 

Equally beautiful were the new album’s mellower moments. “Everyone in Wilderado had fallen  in love with music that was softer on our ears, and that influenced our writing,” says Rainer,  who sings Talker‘s songs in an unforced voice that occasionally gives way to a gentle, high flying falsetto. “We began asking ourselves, ‘What if we keep the drive and the groove that’s  always been part of our music, but dial back the approach of both the vocals and the drums?'” 

The strategy worked, filling songs like “Bad Luck,” “Tomorrow,” and the title track with a mix of  laidback swagger and calm, collected energy. Talker still finds moments to get loud, too,  building its way toward atmospheric crescendoes with “Waiting On You” and “After All.” 

Wilderado aren’t chasing after hits. They’re just being themselves — and enjoying it. With  Talker, they’ve hit a new stride, fueling themselves up on sharp songwriting and adventurous  arrangements before setting off toward some new horizon. This is Wilderado at their best:  inspired, invigorated, and answering to nobody but themselves.

The title of Sam Burchfield’s latest album, Nature Speaks, is both a statement of belief and an instruction: to listen carefully, to feel the world move through you, and to heed its loving nudge.

Recorded in just five days at Studio 1093 in Athens, Georgia with co-producers and collaborators Ryan Plumley and Jason Kingsland (Delta Spirit, Youth Lagoon, Deerhunter), the upcoming album is Burchfield’s most stripped-down and spirit-forward to date. 

“Just before we recorded, I was in New York City on tour,” Burchfield shares. “My wife was at home, pregnant with our second child. I was taking a walk through Washington Square Park, feeling this hyper-vivid awareness of the beauty of the city, and at the same time, this intense pain of being away from my family.” In that moment, a man sitting at a public space piano began playing the song Burchfield’s partner walked down the aisle to at their wedding. Coincidence or cosmic wink, it stirred Burchfield’s soul. “It felt like walking through a portal.”

For Burchfield, like many of us, it took a moment of poignant distance to illuminate his place of utmost belonging—back in the Blue Ridge Mountains, among his family. And with that radical clarity came a revitalized artistic confidence, a turning point in accepting and trusting his own musical intuition, the intuition from which Nature Speaks beautifully emerges.

Burchfield grew up in serene Seneca, South Carolina. His instinct to write was there from the start, his itch to share was unrelenting. He spent his childhood setting speakers up in parking lots and coffee shops, playing with whomever would join him on “stage” to whomever would listen. At college in Athens, Georgia, he found the scene he’d been trying to create for himself. Opportunities emerged in rapid succession. Burchfield won a songwriting competition, recorded his first EP, and found himself suddenly entangled in sparkly offerings from network television and major labels, chances that ultimately felt more like a detour than a dream come true. 

“It was honestly insane,” says Burchfield. “Things felt a little out of my control. I had to really lean on people I respected, whose wisdom I trusted—teachers, friends, family.” Burchfield recognized early on the indispensability of creative autonomy, and the sources of support that kept him grounded. “My community gave me the courage to walk away from paths that didn’t feel right.”

He’s been building a catalog since 2014—originals, concept works, and live recordings. “I think there are like, four or five albums out there at this point?” Burchfield questions, endearingly unprecious. He is as sincere and unassuming as his guitar-playing—earthy and affectingly to-the-point. “Truthfully, it’s been a long journey toward artistic identity. I’ve learned a lot about living into yourself, discovering who you are by simply being.” Nature Speaks is no doubt Burchfield’s best offering to date, largely due to that resonant sense of self. 

The album came together during a momentous new phase of fatherhood. “There is always something to sacrifice in the present in order to create a future,” Burchfield says. “And in many ways, I used music to parent myself through all the changes.” Burchfield impulsively penned and tracked the stunning album closer “Morning Light” at home, around three o’clock in the morning. The song softly buzzes with the white noise of a sleeping household, a lullaby of its own kind. “I was writing a message of comfort to myself when I needed it,” he says. His vocals are hushed and heavy with the weight of profound transformation, a soothing surrender to the life that lay ahead. 

The theme of commitment glitters throughout Nature Speaks. Standout single “Stay (Betty Blue)” is a tender and arresting tune of devotion, a vow of stability against wavering mental health and the general fragility of life. Burchfield wrote it for his wife—a musician, painter and poet—on their anniversary. “You don’t know what you’re going to have to confront when you enter a relationship. We all have different battles to fight.” In his sandy, evocative vocals, he makes the colorful promises that account for real love: And if you get lost on the other side, I’ll plant roses in your mind / If you go mad and hurt yourself, I can lick your wounds until you’re well. 

Burchfield’s sixth release is a source of sacred calm in an overwhelming world, a generous invitation into a rooted life: a family’s unconditional love, a hometown’s soothing mountainscape, a sturdy salvation in knowing who you are. “Capturing and connecting with humanity is why I make music,” says Burchfield. “This album is more human than anything I’ve done before.”

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 Celebrating their 31 years of touring in 2026, Zoso has become one of the most iconic and respected Led Zeppelin tribute experiences in the world, having played over 4,900 shows across the globe. Known for their unparalleled dedication to faithfully recreating the legendary band’s live performances, Zoso has earned accolades from both critics and fans alike.

Zoso’s live performances focus on the raw energy and intricate musicality of Led Zeppelin’s best-known hits and deeper tracks, with a particular emphasis on recreating their live show experience. The band’s commitment to authenticity has earned them praise from major outlets, with the LA Times calling them “head and shoulders above all other Led Zeppelin tributes,” and the St. Petersburg Times describing them as “the most exacting of all the Led Zeppelin tributes.”

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Afroman’s musical career began in the eighth grade, when he began recording homemade songs and selling them to his classmates. “The first tape I made was about my eighth-grade teacher,” he once recalled. “She got me kicked out of school for sagging my pants, which was a big deal back then. So I wrote this song about her and it sold about 400 copies: it was selling to teachers, students, just about everybody. And I realized that, even though I wasn’t at school, my song was at school, so in a way I was still there. All these people would come by my house just to give me comments about how cool they thought the song was.” Foreman also performed in his church at a young age, playing both the drums and guitar.

In 1998, Afroman released his first album, My Fro-losophy and later relocated to Hattiesburg, Mississippi, where he met drummer Jody Stallone, keyboardist/bassist Darrell Havard and producer Tim Ramenofsky (a.k.a. Headfridge).

Ramenofsky produced and released Afroman’s album Because I Got High in 2000 on T Bones Records; it was distributed primarily through concerts and the file-sharing service Napster before its title track was played on The Howard Stern Show. Afroman was inspired to write the song’s lyrical content by his unwillingness to clean his room, and he ran with the idea of everyday tasks being derailed by drug use. In late 2001, the song became a hit and was featured in the films Jay and Silent Bob Strike Back, The Perfect Score, and Disturbia later in the 2000s. “Because I Got High” was nominated for the Grammy Award for Best Rap Solo Performance in 2002.

After the single’s success, Afroman joined the lineup of Cypress Hill’s fall festival “Smoke Out” with the Deftones, Method Man, and others. After this, Universal Records signed Afroman to a six-album deal, and Universal released The Good Times in 2001. The Good Times was a compilation of Afroman’s first two albums and some new tracks.

Afroman started releasing his music independently and mostly through the Internet in 2004, and that year, he recorded Jobe Bells, which satirized traditional Christmas songs.

Afroman was part of the 2010 Gathering of the Juggalos lineup.

In October 2014, Afroman released a remix of his hit song “Because I Got High” in order to highlight the usefulness of marijuana as part of the effort to legalize its sale across the United States.

In January of 2021 Afroman Signed with Revolutionary Record Label, Cosmic Wire. Owned and Operated by Artist/Producer BLAZAR (Jerad Finck), and growth hacking expert BJ Klock, their first single “WHOLEthing” was released as a precursor to his upcoming album release.

 

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Steep Canyon Rangers arrive at a moment of renewal and reaffirmation with Next Act, their 15th studio album set to be released May 22, 2026. The record represents a conscious tightening of focus: a return to the bluegrass foundations that first bound the band together, approached with the confidence and emotional range earned through years of collective evolution. It is an affirmation that bluegrass still contains endless expressive possibility. Next Act finds the Rangers sounding deeply at home in their own musical language, drawing strength from tradition while continuing to write new chapters within it.

Formed in North Carolina and shaped equally by the Appalachian Mountains and the Piedmont, Steep Canyon Rangers have long occupied a singular space in American roots music. From their earliest recordings, the band demonstrated an unusual ability to honor traditional bluegrass forms while allowing contemporary songwriting, literary influence, and regional storytelling to seep naturally into the music. Over time, this balance earned them both bluegrass credibility and broader Americana acclaim, culminating in a Best Bluegrass Album GRAMMY Award for 2013’s Nobody Knows You, additional nominations for Rare Bird Alert (2012) and North Carolina Songbook (2020), and an induction into the North Carolina Music Hall of Fame.

In recent years, as their audience expanded and their songwriting reach grew wider, the Rangers began to feel a pull back toward the elemental forces that shaped them: acoustic instruments speaking clearly, songs built for ensemble interplay, and stories grounded in lived experience and regional memory. Next Act emerges from that impulse.

Steep Canyon Rangers is made up of Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Aaron Burdett on guitar and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums, dobro, percussion and vocals, and Barrett Smith on bass, guitar, and vocals.

 

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Hailing from Denver, Colorado, Clay Street Unit mixes the acoustic instrumentation of bluegrass and folk with the amplified energy of Americana and country. The result is a singular interpretation of American roots music that blurs the borders between genre and geography, fusing the influence of the Rocky Mountains with the traditions of the Appalachians. Driven forward by drums, sharp songwriting, and the chemistry of good friends and musical brothers who’ve shared countless hours on stage, Clay Street Unit’s music doesn’t just nod to the band’s influences; it reshapes them into something new. With their debut album on the horizon, Clay Street Unit are staking their claim as torchbearers of something both fresh and familiar, nodding to the foundations of American music while sharpening their own progressive edge.

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Grammy-nominated Yonder Mountain String Band set the tone for a new way forward in acoustic music, carrying bluegrass into rooms and conversations it had never reached before. Nearly three decades later, that same spirit still guides them, alive and present on Good As True (2026), the band’s 12th studio album. The record captures Yonder in full stride. It’s unguarded and in motion, preserving the spark of musicians playing in real time and leaning into everything they have learned along the way.

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Originally hailing from Dingley in Melbourne, Australia, Jet quickly conquered the world after forming in 2001, selling more than 6.5 million albums globally and securing almost 10 x Platinum certification in Australia and Platinum in the USA and UK for their 2003 debut album “Get Born”. The album produced a string of classic singles in “Are You Gonna Be My Girl”, “Rollover DJ”, and “Look What You’ve Done” and netted the band 6 x 2004 ARIA awards. Both “Are You Gonna Be My Girl” and “Cold Hard Bitch” peaked at number 1 on the US Modern Rock singles charts and propelled the band to the top of festival bills and charts around the world.

Jet’s follow up album “Shine On” followed in 2006 and was rammed full of another collection of melodic rockers including, “Put Your Money Where Your Mouth Is”, “Bring It On Back” and “Rip It Up”, and achieved platinum status in Australia on the back of stand-out headline shows around the world, and an unforgettable Big Day Out run in 2007.

2023 marked 20 years since the release of their debut album ‘Get Born’. To celebrate Jet Embarked on their first band shows in 5 years, playing Get Born in full, re-visiting the incredible tracklist that won them fans right across the world.

Reflecting on the album, Nic Cester said, ‘Get Born was a rare and unique moment of total planetary alignment where we somehow managed to capture lighting in a bottle.’
In November 2023 Jet received the honour of being the 2023 ARIA Hall Of Fame Inductees.

Jet carried their momentum into a huge 2025, touring the USA, joining Lenny Kravitz across Australia, and lighting up European summer festivals. 2026 sees the band hitting new heights with a major Australian regional tour, bringing their legendary rock back to fans across the country. They’ll also return to Europe in July and the US in September Further announcements are still to come as Jet continues their global domination.

The Glorious Sons have resolutely manifested all of rock ‘n’ roll’s most positive principles from their very
start – creativity and adventure, passion and truth, energy and expression, individuality, and spirit of
community. Following a four-year journey fraught with multiple stops and starts, the Kingston, ON based
band returns with Glory, an album co-produced by frontman Brett Emmons and Frederik Thaae, that fully
captures the depth of their vast artistic vision.

The multiple JUNO Award winning, two-time Canadian certified Platinum and six-time Canadian certified
Gold rock group, have been on an incredible journey, leading to the meteoric rise of their recognition as
one of the commanding forces in rock ‘n’ roll, not only at home but globally. With multiple chart-topping
hits, the band has gone from headlining clubs to arenas and festival dates, steadily cementing their
position as “Canada’s Best Export” (Washington Times), while garnering critical acclaim and a dedicated
fanbase. Glory, their fourth studio album, is out now, and features their latest single ‘Speed of Light’.

 

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Drivin N Cryin is an enduring American rock band whose roots-forward sound and uncompromising spirit have made them a vital force since forming in Atlanta, Georgia in 1985. Blending Southern rock grit, folk storytelling, and hard-charging rock & roll, the band built a reputation early on as a must-see live act and a songwriter’s band with depth far beyond trends.

Led by singer-songwriter Kevn Kinney and anchored by bassist Tim Nielsen and drummer Dave Johnson, Drivin N Cryin broke through nationally with a run of influential albums that helped define late-’80s and early-’90s American rock. Songs like “Fly Me Courageous,” “Honeysuckle Blue,” “Straight to Hell,” “Build a Fire,” and “Scarred But Smarter” became staples of rock and AAA radio, with Fly Me Courageous earning Gold certification and remaining a cornerstone of the band’s catalog.

While they emerged during the MTV era, Drivin N Cryin never disappeared. Over four decades, they’ve remained a consistently touring, recording band — releasing new music, evolving their sound, and cultivating a loyal, multigenerational audience. Their influence extends well beyond their own recordings; “Straight to Hell” found new life through covers and collaborations that introduced the song to entirely new audiences.

The band’s stature is reflected in both peer respect and formal recognition, including induction into the Georgia Music Hall of Fame, as well as Kinney’s induction into the Milwaukee Music Hall of Fame. Touring history includes shared stages with artists spanning multiple eras and genres, The Who, Hootie & The Blowfish, The Black Crowes, ZZ Top, Soul Asylum, Blackberry Smoke, The Marshall Tucker Band, Jason Isbell, along with recent appearances on destination events like Rock Boat, Outlaw Country Cruise, and Moon Crush.

Their latest album, Crushing Flowers, marks a deliberate return to the band’s core. Stripped back to the original three-piece, the record favors clarity, chemistry, and feel over excess — a confident, back-to-basics statement from a band that knows exactly who it is. Rather than chasing nostalgia or novelty, Crushing Flowers reinforces what has always set Drivin N Cryin apart: honest songs, emotional weight, and the unmistakable sound of a band still fully engaged in the work.

Nearly forty years in, Drivin N Cryin remains a living, breathing American rock band — not a revival act, not a footnote, but a continuing story still being written.

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Hailing from the vibrant music scene of Denver, Colorado, Steely Dead is a national touring band that has satisfied the curiosity of music lovers with their unique blend of Grateful Dead andSteely Dan. Comprised of four exceptionally talented musicians – Dave Abear on guitar, Matt Abear on bass, Chris Sheldon on drums, and Dylan Teifer on keys – Steely Dead has gained a dedicated following with their electrifying performances and soulful interpretations of classic tunes.

Steely Dead’s repertoire is a carefully crafted fusion of Grateful Dead and Steely Dan songs, between the arrangement and precision studio recordings of rock legends Steely Dan, cross-pollinated with the Grateful Dead’s free-flowing, melodic improvisation and masterful song segues. Steely Dead merges these major concepts together infusing the influence into each
band, all the while creating an original jam element with the song segues. Steely Dead’s performances are a musical journey that takes audiences on a nostalgic trip through the golden era of rock and roll.

As a national touring band, Steely Dead has built a loyal fan base that eagerly anticipates their shows and follows them from city to city. Their performances are not just concerts, but communal gatherings where fans come together to celebrate the music they love, dance, and create lasting memories.

Steely Dead’s performances are a testament to the power of live music, bringing people together and creating an unforgettable experience that resonates long after the last note fades. Steely Dead is not just a band; it’s a musical experience that captures the hearts and souls of music lovers everywhere.

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Originating from Gainesville, FL, Sister Hazel is comprised of five gifted, seasoned musicians whose well-spring of natural talent has been called “one of the Top 100 Most Influential Independent Performers of the last 15 years” by Performing Songwriter Magazine. Song “All for You” topped the adult alternative charts during the summer of 1997 and the success propelled their album to platinum status. In their first showing on the country music charts they made a strong debut with “Lighter In The Dark” at#4 onBillboard’sTop Country Albums chart, #6 onBillboard’sIndependent Albums chart, #30 onBillboard’sTop Current Albums chart.

The band landed on Billboard’sTop Country Albums Chart again in 2018 and 2019 with Volumes I, II, III, and IV of a clever EP compilation series titled “Elements.” In February 2018, “Water,”landed on theBillboardCountry Albums chart at #9 and at #2 onBillboard’sIndependent Albums chart along with making their debut on the most revered stage in country music, the Grand Ole Opry. In September of 2018, “Wind” landed at #1 on iTunes country page and #11 on Billboard’sIndependent Albums chart. In February 2019, Vol. III “Fire” landed at #5 on Billboard’sIndependent Albums chartand #46 Billboard’sTop Country Albums Chart. The collectible compilation series ended with“Earth” which again landed at on the charts at #15 on Billboard’s Americana/Folk Album chart.

Living up to their fan-centered reputation, the band hosts annual events like “Hazelnut Hang,” that focuses on fan involvement and was a pioneer in themed cruise experiences by co-founding “The Rock Boat,” a cruise featuring nonstop opportunities for fan/artist interaction. Sister Hazel has been equally attentive to connecting with their audience through social media.They have since made their Grand Ole Opry debut and shared the stages with country music superstars at The CMA Festival, Tortuga Music Festival, among others. In addition to the events and touring, the band also gives back with “Lyrics For Life.” Founded by singer Ken Block and the Band, the charity unites musicians and celebrities for concerts and auctions to benefit cancer research and patient-care charities.

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Rather than smoothing over life’s rough edges, Morgan Wade leans directly into them. Never one to mince words or play coy, the celebrated singer-songwriter has built her career around undeniable honesty and vulnerable storytelling, turning life’s hardest moments into songs that feel both deeply personal and universally understood. With a voice that carries equal parts grit, vulnerability, and strength, Wade has emerged as one of the most compelling storytellers in contemporary country and roots music.

Her breakthrough album Reckless introduced listeners to Wade’s fearless songwriting and raw emotional depth, earning widespread critical acclaim and a fiercely loyal fanbase. Songs like “Wilder Days” showcased her ability to balance arena-sized hooks with confessional lyrics – a signature style that quickly set Wade apart in Nashville and beyond.

Since then, the Virginia native has continued to expand her sound and storytelling with her albums Psychopath, Obsessed, and most recently The Party Is Over (recovered). Blending country, rock, and Americana influences, her music explores themes of addiction, mental health, resilience, and self-discovery with striking authenticity. On her forthcoming and much-anticipated fifth studio album, Wade will continue the deep exploration of her psyche.

Wade is making her acting debut with a recurring role in the new season of Dutton Ranch, an expansion of the critically acclaimed Yellowstone universe. Whether on record, on stage, or on the big screen, Wade delivers performances defined by emotional clarity, intensity, and connection, solidifying her place as one of the most distinctive voices in modern music.

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RAIN OR SHINE. NO OUTSIDE CHAIRS. NO ANIMALS, PLEASE. NO REFUNDS. Doors at 6pm. 

Free Event! Born from attic jam sessions between childhood friends Andrew Pickel and Kevin Hinnefeld,Dizgo’s story began with two guitars, a tape recorder, and a dream-literally. The band’s namecame to Hinnefeld in a dream, before their first gig, reflecting the cosmic, boundary-breakingsound they’d soon deliver. Later joined by Jake Evatt on keys/vocals and Justin Clark on drums,the Bloomington-based quartet has since evolved into one of the country’s premiere touringacts.Critics have called Dizgo “one of themost operative names in the jam band scene” and“Indiana’s psychedelic powerhouse,” blending the adventurous spirit of jamtronica with thedeep-pocket pulse of funk, the warmth of soul, explosive guitar, and the kaleidoscopic texturesof psychedelic rock. Their live shows are immersive journeys-a dance party and mind-triprolled into one.

Interweaving soulful vocals, analog synths, and searing guitar complete withintricate compositions and extended improvisation. The result is something both danceable andintrospective: a dance floor where heads and hearts move in equal measure.Dizgo’s touring resume reads like a true music lover’s bucket list-standout sets at Peach MusicFestival, Summer Camp, Secret Dreams, Domefest and Sonic Bloom, alongside club andamphitheater performances supporting Goose, George Clinton & Parliament Funkadelic,lespecial, Dogs in a Pile, Pigeons Playing Ping Pong, and more. Their 2024 studio album “Melt”crystallized their ethos: when everything locks in, the band and the fans “melt into one collectiveunit,” channeling energy between themselves and the crowd in a feedback loop of groove.From your local venue to the biggest festival stage, Dizgo creates a communal experience-onewhere genre is merely a suggestion, the band andthe fans are a living organism, and everynote is a step further down the rabbit hole.

Tickets available here!

Wheeler Walker Jr. is country music’s loudest outlaw, a hard-drinking, foul-mouthed hellraiser determined to drag country music back to its outlaw roots, whether Nashville likes it or not. Backed by top-tier session musicians and armed with a complete disregard for industry rules, Walker built a cult empire through brutally honest songs packed with sex, bad decisions, and unapologetic Southern swagger. Blending classic honky-tonk, outlaw country, Southern rock, and arena-sized attitude, albums including Redneck Shit, Ol’ Wheeler, WW III, Sex, Drugs & Country Music, and Ram turned Walker into one of the most controversial, and undeniably entertaining, figures in modern country music.Walker first exploded onto the scene in 2016 with the now-infamousRedneck Shit,featuring viral tracks that mainstream country radio wouldn’t touch but fans couldn’t get enough of. While Nashville polished itself into a commercial machine full of influencers, sponsorships, and algorithm-approved heartbreak songs, Wheeler builta fiercely loyal fanbase by saying exactly what everybody else was too scared to say. His records are equal parts rebellion and a genuine love letter to classic country music’s raw, unfiltered spirit.Over the last decade, Wheeler has released five acclaimed albums that all hit #1 on Billboard’s Comedy chart, with two of them debuting in the Top 10 on Billboard’s Country chart. He has amassed more than one billion career streams and earned two PLATINUM and GOLD-certified records. Bursting onto the scene with his debut album Redneck Shit,he was the first artist to ever simultaneously chart on Billboard’s Country Album (#9) and Comedy Album (#1) charts. But now, Wheeler is finally PULLIN’ OUTof the new redneck Vegas that Music City has become and has announced his impending retirement. Releasing his final album on September 25, he’ll start throwing middle fingers on his accompanying farewell tour this October. Although WWJr. may be going to live in rural isolation, or in federal custody, his sold-out tours,chart-topping albums and fanatic fanbase are proof that his cultural impact on outlaw country’s modern resurgence will forever live on.

Tickets can not be resold and VOID if done so!

At Entry…You may be asked to show proof of ticket purchase by showing an ID that matches the name on your ticket, or the Credit Card used to purchase the ticket. Failure to be able to do so could result in denied entry.

RAIN OR SHINE. NO OUTSIDE CHAIRS. NO ANIMALS, PLEASE.